LECTURES & PUBLIC TALKS

Samsung Center, New York. “Chronocorpus: Performing Water with Harmattan Theater 2010-16" November 2016.

Freie University, Berlin. Portuguese language & culture undergraduate course taught by Prof. Luísa Coelho. "How to Make a Film: Concepts & Practices." 2016

Stony Brook University Manhattan Campus, New York. Women’s & Gender Studies Course taught by Joy Schaefer. “Nonhuman Affect & Vitality.” 2015

MoMA San Francisco, Visual Activism Conference. “Activist & Artistic Responses to Hurricane Sandy.” 2014

Sixth Annual Philosophy & the Arts Graduate Conference. Alchemy Theater, New York. “Sonic and Spatial Dynamics in Mar Português.” 2013      

 

CONFERENCE PRESENTATIONS

Inter-format Symposium Nida Art Colony of Vilnius Academy of Arts, Lithuania. "Chronocorpus: Performing Temporality with Harmattan Theater." 2015

Approaching the Posthuman Conference, University of Geneva, Switzerland. “Cyborg Cere: Performing the Posthuman.” 2015 

New Directions in the Humanities Conference, University of British Columbia, Canada.  "Surveillance Aesthetics: Securitization & Control in Contemporary Art Practices." 2015 (accepted but not presented)

Society for Literature, Science & the Arts Annual Conference. Dallas, U.S. “Becoming Water: Performing Fluid Urbanism with Harmattan Theater.” 2014

International Symposium on Feminist Bioethics. Sorbonne University, France. “Transmorphic: Liminal Bodies and Feminist Biopolitics in Cherríe Moraga’s Heroes and Saints.” 2014

International Federation for Theater Research Conference, University of Warwick, United Kingdom. Performance, Ecology & the Consumer Society panel. “Livescapes: Stratification & space-time dynamics in Harmattan Theater's environmental performances.” 2014

Corporeality & Choreography Working Group, International Federation for Theater Research Annual Conference. Barcelona, Spain. “Moving Dangers: Motion, Danger and the Queer Body in Performance.” 2013

Open Mic, International Federation for Theater Research Annual Conference. Institut d’el Teatre, Barcelona, Spain. “Re-routing Performance in Harmattan Theater's Chronocorpus Project.” 2013

Sixth International Deleuze Studies Conference. University of Lisbon, Portugal. “Digging & Scratching: becoming-animal in Paula Rego’s Dog Woman series.” 2013

Northeastern Modern Language Association Annual Conference. Tuffts University, Boston, U.S. “Boal's Theaters: Tracing an Aesthetic in Transit.” 2013

International Federation for Theater Research Annual Conference. Pontífica Universidad Católica, Santiago, Chile. "A Rhizome in Five Rhythms." 2012

Minding Animals Conference. Utrecht University, Netherlands. “Digging & Scratching: Paula Rego’s Canine Bodies” 2012 (accepted but not presented).

New Directions in the Humanities Conference. Montréal, Canada. “The Body Present: Performing Morphologies with Marina Abramovic.” 2012

American Comparative Literature Association Annual Conference. Brown University, Providence, U.S. “A Poetics of Waste.” 2011 [Horst Frenz Prize nominee]

Northeastern Modern Language Association Annual Conference. Rutgers University, New Brunswick, U.S. “Desire of the Other in the Theater According to Hélène Cixous.” 2011

International Federation for Theater Research Annual Conference. University of Munich, Germany. “Put Your Hand In My Wound.” 2010

International Federation for Theater Research Annual Conference. University of Lisbon, Portugal. “Playing Dirty: The State Against The Drag.” 2009